Showing posts with label Jack Foley. Show all posts
Showing posts with label Jack Foley. Show all posts

Friday, September 11, 2015

Friday's Weekly Round-Up - 235






Featuring shots last week from 1967's fabled Human Be-In. Here's another one - from Lisa Law

                     [Allen Ginsberg, Human Be-In Golden Gate Park, 1967- Photograph © Lisa Law]

and here's Lisa Law's famous ecstatic one
  
                            [Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

And here's a couple more from the generous and talented Lisa


                       [Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

                        [Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]

                             [Allen Ginsberg, Human Be-In, Golden Gate Park, 1967- Photograph © Lisa Law]



James Sullivan on Lawrence Ferlighetti's Writing Across the Landscape, in the San Francisco Chronicle - here 

Mark Dery in The Daily Beast  on those incomparable City Lights Pocket Poets books - here

Jack Foley's review of Harold Norse's recent Selected Poems (I'm Going To Fly Through Glass) in the International Times -  here

John Wieners week this past week in San Francisco. Here's Diane di Prima reading a few days ago (sic) at City Lights, reading her poem for John, "Letter to John Wieners (on his 37th birthday)", and his extraordinary "With Meaning" ("Rise, shining martyrs..")  




Those of you in England, make a date for October the 10th, Manchester England (at the aptly-named Wonder Inn) and Simon Warner's "Still Howling" event - a 60-year anniversary celebration - symposium and performances  (including appearances by "British Beat", Michael Horovitz, Allen's long-time music collaborator, Steven Taylor, Ginsberg (and Burroughs) biographer, Barry Miles, Peter Hale of the Ginsberg Trust. & many others) 

More details and a little background -  here 

Sunday, October 23, 2011

Philip Lamantia (1927-2005)

[Philip Lamantia - photo c. Christopher Felver, from his book Angels, Anarchists and Gods (1996)]

Philip Lamantia was born on this day. He died in 2005. He would have been 84. Obits from the San Francisco Chronicle, from the New York Times, and from the London Independent give the general picture. We've spotlighted already Andre Breton, but, for the Beats, for Allen, Lamantia was/is the essential figure, the key link between Beat culture and Surrealism. Garrett Caples writes on the Breton-Lamantia connection here.

And Allen himself had, in 1963, respectfully noted: "Philip Lamantia and I share old friendship and similarity of sources - our insight into an American voice, its "mechano hells" (his words): our longing for breakthrough into the more natural universe of self, all our true feelings: our prayer, public communication, poetry. His interest in techniques of surreal composition notoriously antedates mine and surpasses my practice in a quality of untouched-news, nervous scatting, street moment purity - his imagination zapping in all directs of vision at once in a cafeteria - prosodic hesitancies and speedballs - the impatience, petulance, unhesitant declaration, machinegunning at mirrors nakedly - that make his line his mantric own".

A selection of Lamantia's writing may be viewed here (five Lamantia poems from a 1947 View) An interview (with Thomas Rain Crowe, in Milk magazine) here (and Caples' "Last Interview" with Lamantia here). Appreciations (by John Yau in The Brooklyn Rail, by Stephen Schwartz, and by Steven Fama) are also worth consulting. Viva Lamantia! - Jack Foley, in Poetry Flash, has an extensive review of 1997's Bed of Sphinxes - New and Selected Poems 1943-1993.
& one of the "buried treasures" of the internet is this - "a scholarly lecture by Philip Lamantia on poetry, philosophy, and language" (and, as a bonus, the end of the program includes a reading by the legendary Bob Kaufman). Enjoy.